Clark Coolidge

is an American poet born in Providence, Rhode Island. He was, perhaps more than any other person, responsible for inspiring the entire experimental field of Language Poetry, which became popular among avant – garde, mostly American poets, during the 1960s and 1970s. His association with the Language School, his experience as a jazz drummer, and his interest in a wide array of subjects including caves, geology, bebop, weather, Salvador Dali, Jack Kerouac, and movies often finds correspondence in his work. His most recent books are The Act of Providence, a long poem about his home town (Combo Books, 2012), and This Time We Are Both, the result of a trip to the USSR with the Rova Saxophone Quartet in 1989. He lives in Petaluma, California.
Maxine Chernoff

born in 1952, she is an American novelist, writer, poet, academic, and literary magazine editor. She is a Professor and Chair of the Creative Writing program at San Francisco State University. With her husband, Paul Hoover, she edits the long – running literary journal, New American Writing. She is the author of six books of fiction and ten books of poetry, most recently The Turning (May 2008) and Among the Names (2005), both from Apogee Press. Both her novel, American Heaven, and her book of short stories, Some of Her Friends That Year, were finalists for the Bay Area Book Reviewers Award. With Paul Hoover, she has translated The Selected Poems of Friedrich Hölderlin, which was published by Omnidawn Press in 2008, and won the 2009 PEN Translation Award.
David Antin

is a poet, critic, and performance artist, whose books include Definitions (1967), Autobiography (1967), Code of Flag Behavior (1968), Meditations (1971), Talking (1972 & 2001), After the War (A Long Novel with Few Words) (1973), Dialogue (1980), Tuning (1984), Selected Poems 1963 –1973 (1991) and What It Means to be Avant – Garde (1993). His most recent book, from Granary, is A Conversation with David Antin, a dialogue with Charles Bernstein, part of which is available on – line from the Review of Contemporary Fiction. He is Professor Emeritus of Visual Arts at the University of California, San Diego.
Nothing Left for Ted Enslin

by Steve Luttrell
Beginning
with it all
laid out
against im –
probable conclusions,
one gets
“caught up” in it
moved along
and suddenly
old age becomes
attendant.
The energy run out,
one marks time,
takes notice,
missing
not so much
and full,
having nothing left.