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Marianne, the Octopus and History

cover of the Café Review Winter 2025 Issue

By Jane Simon

Marianne, the Octopus and History
Conversation from 81st to 74 th St.

On our chilly walk down CPW last night
past the Museum of Natural History
now devoid of the bold bronze statue
of Theodore Roosevelt on horseback.

How sad that our country wants
to disown history, Marianne remarks.

Like the Chinese, I say, remembering
my travels in China; there entire
ancient cities were torn down and buried.

What does it mean that we’ve become
like the Chinese wanting to disown history? I query.

I guess we’ll wait and see,
Marianne says thoughtfully.

Then she relates how last night she watched
a TV show about octopuses and learned that females
of the species devour their partners after they mate.

How odd, I say. I never knew that.

Not all of them, Marianne consoles.
Just one variety.

Oh, that’s a relief, I answer.
But how does she kill him?

Like a pragmatist, she reports,
I guess she eats him.

like a pathologist searching
for the cause of death, I ask,
but how does she murder him?

I guess she strangles him, Marianne conjectures.
They have a lot of legs, you know.

Oh, I sigh and say, I guess that explains it.
Then I hum to myself, wondering if we
(on our walk) have explained anything at all.

Doublemint Gum

cover of the Café Review Winter 2025 Issue

By Jim Daniels

Doublemint Gum
Two, two, two mints in one

I had trouble figuring that slogan out
and yet they wanted me to believe
in three, three, three gods in one.
And that they kept their flavor

forever and lived somewhere far
from Cavity Land. And one
was a bird. And one was born
with no fucking involved.

And that we ate his body and drank
his blood. And the third guy was
all cloud and bluster like a drug–
addicted game–show host.

My grandmother had false teeth
but at least she shared her sugary gum.

Driving Through the Old Neighborhood

cover of the Café Review Winter 2025 Issue

By Jim Daniels

half lost, half by accident, I catch myself
looking back over my shoulder, searching
for my grandfather waving from his porch
as he always did till we were out of sight.

Though he’s been out of sight for over thirty
years, and that porch, that house, gone nearly
that long, two houses left on that city block
in Detroit, the rest weeds and rubble

and a few sad bare trees planted by a city
hoping for shade. Before he left,
he bought the vacant lots on both sides
of the house for half of a prayer. Always

the optimist, a farmer for hope, a twenty
pinned to the inside of his shirt, insurance
against having to give up his wallet
one more time. I admit to sadness

at the missing marker of his farewell,
the rocker chained to his wooden porch,
his raised hand fading in distant haze.
Of course, all of our hands drop eventually

but if I just had the porch, I might conjure it,
his hand, that magic butterfly emerging into
the new fields of weeds, wondering, what is
this new strange, wonderful place?

I remember his stage set: bones strategically
placed, a loose chain on the porch
as if the imaginary dog had just stepped inside
for a drink. Beware of Dog, the sign said.

Some nights he even stood out in the dark
calling it home. Oh, even now, I’d still
come running back if called.

Native Tongues

cover of the Café Review Winter 2025 Issue

By Jim Daniels

She sticks her tongue out in every single photograph.
I’m guessing it’s a response to Smile for the Camera
or Say Cheese, the strained exercise of forced Jollyhood.
Not my place to ask, on the distant Otherside

of the family lineup. My nephew’s lifetime
partner from Out of Townville. She bought
the house he lives in. He painted a giant mural
in the basement, but won’t commit, further.

My father cut her out of the family photo
on his mantle, preferring the odd angled cut
over the tongue. Cat got your tongue?
No, grandpa does. He put it in a box, super–

stitious about tossing it. Who did she stick
her tongue out at first, back in her own
mysterious family? Is it part of a secret vow,
like silence for special monks and nuns?

I can’t speak for my dad. At 95, he can use
his scissors however he wants. I don’t think
I’ve seen another tongue more frequently
and in such juicy detail. I might have to give up

French kissing if I keep thinking about it.
My father took a Spanish class back
in the Middle Ages. He wants to know how
much that old textbook might be worth.

Before she died, my mother told me just
about everything, including how she taught
my uncle how to kiss. TMI, I said.
Three Mile Island? she said.

How many years since my father kissed
anyone on the lips, much less tongued?
He’s always kept his own counsel. He still
trims his nose hairs with the trimmer

we gave him as a joke thirty years ago.
I didn’t startle when I saw the cut photo.
Do I want to look at that tongue every time
I pass through the living room? he asked.

On the other side of the mantle, my mother
smiles in the tiara she wore only on special
occasions. Though she was no saint,
my mother. She had a tongue on her.