Making a Meal of Receding Footsteps
by Stephen Petroff
Making a Meal of Receding Footsteps
(Zoom–Orphic Lyrics)
“. . . barring cogent reasons, a scholar is never without his lute.”
— Li-Ki (Book of Rites)
(Source: Achilles Fang)
This summer, we’ve had
odd reports from the coastal towns:
a lioness is swimming from island to island.
Schools of inkfish have been coloring the coves.
Fig trees have sprouted on the ledges.
On every hot day, our fishermen have been hauling
from the water, in their traps and nets, music that
was popular a century ago.
Where people live down by the sea, there are always
ghost stories of this sort being told. Each evening,
a fox stands in front of a white lilac that grows
by the door of a cottage near the shore, calling a
woman’s name.
As a scholar of these studies, when I listen
to the old ballads, I know that the first people
who sang them were living just as I do,
brilliantly careworn.
I held in my hand
an old Greek coin, so badly used by Time,
that the image of a lyre on its face
had nearly vanished. It was there only if
you knew it was there.
Self-Portrait: Connemara
by Betsy Sholl
Just one leg in a doorway, nothing more.
Outside the full moon, salt air bracing,
so we put on jackets and went to see —
our friend insisting we leave the window
and enter the night. Just my left leg
still on that threshold, the rest of me off
with the others on the dirt road, the rocks
below rumbling in surf, and the moon
slipping through a thin cloud as it climbed.
No picture of dinner, barely begun and left
on the counter. Though the afternoon
even now is fresh in my eyes —
Sky Road, the wide stretch of glittering sea,
light’s dazzle across islands and cliffs,
the moment’s tide still rising. As to this photo
made by a thumb slip as we rushed out the door,
most of me was already gone — into runoff
and seepage, into spindrift, moon scatter.
We left squash on the counter, cubed and ready
to be baked with an apple and whatever else
we ate that night, which I have forgotten,
though it nourished us, it’s helped me arrive
at this moment, this wave rising to a curl
before it tips and crumbles into bright foam.
Underground Railroad
by Betsy Sholl
Underground Railroad,
Walking Tour, Portland, Maine
Deep water once where we stand.
Fog and a British brig from Savannah
where now the parking garage glows.
Then: ladder tacked to the wharf, dory below.
Come ashore, the captain would have strolled
among shops, till he found a conductor.
The sailors would have turned their backs,
so they could swear under oath they saw no men
row up, pull away, the fugitive shivering
among them. No name, not one detail
about that man who by morning would be
booked to Halifax or St. John.
Silence now, where words must have passed
between them, gestures and warm clothes.
Silence among us too, as the talk ends,
as fog thickens its ghost ocean around us,
and a man looms up, startled to have come so close,
then stumbles off, his reek lingering.
Cement walk, guardrail, flickering harbor lights,
distance like mist seeping into our clothes, our hair.
Vena Cava
by Annie Seikonia
in my vena cava
the surgeon found nanoscopic
relics of Portland
a tiny Victorian house
surrounded by roses
two rotting piers
encrusted in barnacles
and a rusted English Raleigh
bicycle circa 1940
in my atman
the nun found closets
filled with black vintage dresses
a wandering band of
Tuvan throat singers
an athenaeum of
illegible journals
and a wildflower meadow
humming with bumblebees
in my corpus
the oneironaut found the
ocean shore in summer
tinkled by
the bobbing music of masts
embroidered by seaweed
printed by paws
awash with the blue air
of distant tides
soon everything will change —
soft things collapse and die

