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TBT: OFF RADAR: Cafe Review 28 straight years of the real thing

Here’s the full Kennebec Journal and Morning Sentinel article from June 1 of last year highlighting our Winter 2017 Issue: https://www.centralmaine.com/2017/06/01/off-radar-cafe-review-2/

From the article: “Well-edited, tastefully made literary magazines can still be spotted in book stores, planted on the coffee table, and picked up from time to time — for the enjoyment of reading a poem or two in one of your New York minutes. Or Portland minute, as it were, in the case of The Cafe Review, which is just straight up the real thing. A poetry magazine that is made to actually be read.

In the Winter 2017 issue, which I recently received, there are a number of poems that will let some sunlight into your digital cave for a few minutes this morning or tomorrow afternoon. I was mowed down by Annie Seikonia’s wistful recollection, “Four Songs of Portland.” Maybe you have to have the city in your own deep past, as I do, to get the full effect of the visuals in these poems (“the cheerful yellow and white / ferries departed blasting / Portland with their song”), but the music is available to anybody:

bittersweet the love that destroyed this city
dark the ashes we drank and glittery
down on the wharves
in the lamp-lit pretty

To me this whole issue of TCR would have been worth the editors’ efforts for just these lines and the stanzas that follow them. But there are also two of former Maine Poet Laureate Wesley McNair’s harrowing, probing lyrics on his childhood, “My Stepfather’s Cars” and “When They Lay Down,” a characteristically well-crafted variation on set forms in which lines are repeated in patterns from stanza to stanza. Editor Steve Luttrell offers two of his quirky, incisive poems, “Winter Apples” and “Weather Report” which ponders people’s endless propensity to talk about the weather. Flynn O’Brien, of Portland, also has a three-section poem “For Three Poets,” and among the other poems are feisty shots by old-timers Pete Brown (“Robots”), who was a songwriter for the legendary band Cream, and Keith Reid (“I Ain’t Dead Yet”), a songwriting member of the slightly less legendary Procol Harum.”

Here’s a link to our Winter 2017 Issue: http://www.thecafereview.com/past-issues/cafe-review-2017-winter-issue/

Ginsberg’s voice resonates at City Lights: Release party celebrates ‘Howl’ vinyl box set

Check out the full article here: Ginsberg’s voice resonates at City Lights: Release party celebrates ‘Howl’ vinyl box set

This article from The San Francisco Chronicle celebrates the release party at City Lights of a new vinyl box set, “Howl and Other Poems” that happened on February 22. Among the speakers there that night was Neeli Cherkovski (frequent contributor to The Café Review, including our Fall 2017 Issue which included his poem, “Envy — And Elergy“), and Kim Shuck, the San Francisco’s poet laureate.

Lawrence Ferlinghetti (poem “the Lord’s Last Prayer” published in our Summer 2012 – Auerhahn Press Tribute Issue) and William S. Burrough (published in The Café Review Spring 2002 Issue) were also mentioned in the article.

Katherine Benedict

Mellow Yellow: Day Four

Katherine Benedict:  is an artist in Maine forever interested in art as a product of spiritual practice and expression.  Her latest series is inspired by the seven days of creation as explained within the Bible and Tanakh.  You can check out more of her work at katherinebenedict.com.

Linden Frederick

Linden Frederick:  is known for his night paintings of small-town America.  The paintings featured here are from “Night Stories,” a recent exhibit of fifteen paintings for which he collaborated with fifteen of America’s top storytellers, resulting in the book, Night Stories: Fifteen Paintings and the Stories They Inspired (Glitterati, Inc.).  His paintings do not include people and have no narrative; rather, viewers experience them more like stage sets, and bring their own stories to the viewing experience.  He is represented exclusively by Forum Gallery, New York, NY.  For more information visit www.lindenfrederick.com, or www.forumgallery.com.  Note on the front cover art: “Police”  © Linden Frederick, Courtesy Forum Gallery, 2016, oil on linen, 36 x 36 inches, (this painting inspired the short story, “Ice,” by Andre Dubus, III).