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Old Composer

by Carl Dennis

He still gives his mornings to writing music,
Only now, as he sits at his desk by the piano
At work on a quintet for strings and oboe,
The musicians he’d choose to perform it
No longer dwell among the living.
Now he’ll have to settle for five unknowns
Who, considering how seldom his pieces
Are being performed these days, may still be children,
Unaware of the years of practice ahead of them
Before they’re ready to play his music,
Whether they play for many in concert
Or just for themselves.  Of course, if he thought the piece
Would never rise from the page even once
To fill a room, he’d finish it for the satisfaction
Of giving form to feelings that otherwise would vanish.
But without the hope of an audience, the piece
Might acquire the overtones of an elegy,
Whereas he’s doing his best to make it joyful,
To dwell not on the happenstance of obscurity
But on the gifts that have come his way unasked.
And now that he’s written the measures he’d hoped
To write this morning, it’s time for his usual walk
Through the park and his usual stop at the grocery.
Today the shoppers will seem less hurried to him
Than they seem on days when his morning work
Has been disappointing.  They’ll be taking their time
As they look for healthy items that might please their children,
Including the child who rises early to practice
The oboe on loan from her middle school.
What a pleasure it is for the old composer
To picture her in her room in the attic
Lost in the music while trying to play
More softly than she does in the evening
So the sleep of the family is not disturbed.

Poem (“popular fear . . . ”)

by Simon Pettet

popular fear bad taste all of us glued
to a centralized rectangle

expectations metaphysics
out the window

we wonder what happened when
all this got started

what moment,
(there must have been one)
when (inside)
the ball dropped
the glass shattered

& it all got
so particularly and irretrievably
ugly

 

Poem (“we tremble . . . ”)

we tremble  his bow is
fixed.  we tremble
see already the suicide
we tremble, our heart rate
is now permanently physiologically affected by this.

Dear Earth

by Simon Pettet

Dear Earth
Each one late
Each one no longer producing
cheerful apples

in cheerful gardens

no longer whole
no longer fecund
what will I do with you now?
Dear Earth
How now will I woo you?

 

Poem (“and how does my lady wait?”)

and how does my lady wait?
O she waits with a stayed soul
under arrest
trapped and unfairly held
It is a prison, this absence.

Cut Flowers

by Robert Carr

When you count daily, 17 years
between your age and your mother’s

age at death — Is there something, pushed
from a brown eye of soil, you’d like to say?

Does the joy of breaking ground — planting bulbs
on a new-found farm — split between preparing

a spring garden and a grave?  Does your plan
for a brindle puppy hinge on an empty dog bed,

the old friend that breathes beneath a blanket
beside you?  Do you shake — repulsed to wonder

if time has come for loved ones
to leave you money?  Are you missing

something?  Or is it just the stems
of tulips, standing in a glass cylinder

growing very fast, rootless, that frighten
you?  Petals, as they pile on a mirrored table?