Shakespeare’s Mistress
by Kathleen Clancy
Shakespeare! Over and over and over again he professes his love: longer than time, more solid than stone, immune to actual war and blight. What is love to him? What is he trying to prove? Alchemy? Love speaks? He hears the supernatural?
Maybe it’s just practice. He’ll always need to try out a line,
and I wouldn’t want him feeling insecure about his work. Playwriting isn’t the burliest office. At least I know his mind
is forceful. Still, the incessant rehearsing . . . Well, it’s pretty quirky don’t you think? It makes him suspect, like he needs convincing love is true. Love is true as this moment is true: He loves me, I pluck a petal from this daisy, a poem bears this printing —
something is lost, kept, and wounded simultaneously.
He’s right. It’s worth repeating: Love and words, magic, my mistress. If we never wed, it can’t be tragic.
Ripe
by Kathleen Clancy
At the end of a summer’s day
gravity pushed me down
toward the earth. I bounced once,
landing on the sloping
pavement. I rolled along
a curb into a culvert
and stopped. For days
the sun had its way with me.
I melted slowly beneath it.
My arms unfurled
from the pit of me;
I reached and reached.
Mostly, You’ll Find Me
by James Rioux
Mostly, You’ll Find Me
for Franz Wright
Forgive me this
silly little riddle:
of how the world keeps
giving me these bruised sunsets pooling
into night, the endless jokes with no lines
punching me awake —
and how I fall
asleep watching myself watching myself
etcetera, in the most unzen
of states.
Mostly, you’ll find me pumping gas
with the others.
And less and less often, with these words
that ratchet down
the distance,
convincing even the difficult
company of my thoughts
there’s this listener.
THE GOLDEN RATIO
by Paul Pines
bare limbs just greening
taxonomy
starkly visible
implicate echo
of leaves
porches at night
harboring shadows
we walk
my old shepherd Harry
behind me
half deaf
eyes cloudy
led by his nose
stops
to sniff roots and dirt
surfaces rich
in history
so complete he can
taste it on his
tongue
voices
from back yards
open windows
gather and
dissolve
under
a street lamp
I wonder
at the interface
of music and numbers
pi chasing infinity
Debussey folding
the Golden Ratio
into La Mer
Pascal shambling
beside me
I tell him it doesn’t
matter stars above us
have died long ago
and lie buried in
light years
illusion
experienced as fact
more profound
than fact as
experience
everything I see
cries out I AM

