Song of the Wagons
by Neil Flowers
Song of the Wagons
after Du Fu, 712–770
Wagons rumble grumble. Horses whinny neigh.
Yeomen, bows and arrows strapped to waist,
parents wives children barring the way
pulling at their clothes blubbering goodbye goodbye
stamping their feet cloaking Xianyang bridge
in swirling dust. And the wailing, weeping
shouts assail black anvil clouds.
On the road’s shoulder a citizen cries, Why? Why?
A conscript calls out: The draft snares us all.
At fifteen, he mutters, many quit north to guard the river,
at forty, forced to till fields in the west.
When we departed, elders blessed our heads
back now, snow–capped, once more we’re shipped to the border.
Those frontier posts are a sea of blood:
The martial emperor’s endless dream of empire.
East o’ the mountains: Two hundred districts, have you ’scried ’em?
Thorns and brambles o’ergrow the countless hamlets.
True enough, strong women wield a hoe, steer a plough
raise crops, but fields wax all willy–nilly
while we Qin grunts contest battles bitter
driven ever on. We’re dogs and Langshans.
Yet one two–toothed venerable vexed me thus:
Durst thou, a soldier, carp and whine?
Even though it’s winter
hostile troops flood in through Western Pass.
The ravenous magistrate rapes us by tax tax tax.
We can’t shell out another dime. We’re broke.
We know now to birth a boy means grief
birthing girls is good. At least
they can be married to a neighbour.
Sons on sons rot beneath the sod.
Hast thou seen on the border of Qinghai
the heap o’ bleached bones all unheralded?
Old ghosts weep. Wrongs drive new to rage.
Rain from dark heaven teems on their howlings.
Song for Pia
by Neil Flowers
Lost in the night
each other
left arm over
the solid weight
of her breathing
solid weight of her
Left hand on her breast
her hands cupped
around mine
Just that much
more than all
the politics of
the broken world
Small scallop
of her skin
between her neck
and flowered nightshirt
cool
soft
skin
I don’t know what love is
I do not know I swear
but I kiss her there
small showering kisses
on her soft brown skin
now while we can
a hundred two hundred
Who keeps count?
Fools for gossip rags
Next day a little chime at noon
from my cell and her text:
“Ah, your arms around me,”
with an exclamation mark,
then: “See you Sunday, mi amor.”
Pillows, Bubbles, Poodle
by Neil Flowers
Her bed
scattered with
many fluffy
pillows to which he
strongly objects
aforesaid
pillows being
in aggregate
contrary to
his Zen
allegiances /
innate male
resistance to
soft fluffy
(zafu okay)
dry laconic being
his preferred mode
the Western say
creak
of saddle leather
showdown
on Main Street
and add
to that mix
of objection
bubble baths
and poodles
all the which
by her
curvations and
demonstrations
wins him
over to these
her various
arrangements
So that:
he scratches behind
the poodle’s
ears
Scar
by Neil Flowers
We’re eighteen
just bought my first motorcycle
still waiting for my first kiss
was over by the church, St George’s
somehow Julie’s there
We know each other vaguely
had met sometime earlier, kids
from roughly the same neighbourhood
she was plump then, still growing,
as a fifteen–year–old girl would be
Then we didn’t see each other
for the longest time but someone
told me how she’d fallen
out of a skiboat up at her cottage
been struck by the outboard’s prop
right along the bridge of her nose
on the cheek, too, but miracle, the blade
had missed her eye by a micron
not blinded her, so when we met
at St. George’s she was all healed
scar running along the left side
of her face from mid forehead down
along the bridge grazing the eye socket into her cheek
thick white line a lightning bolt
She’s lost all her baby fat
body solid now, face beautiful, only the scar
to mar her. So I said, nervous,
You want to ride?
She climbed onto the pillion seat
and we stormed down Dundas Street
over the hill there onto the highway
her arms around me hands on my belly
me winding out the Vincent past 100 mph
no helmets back then and we could have
gone on to the stars, some romantic dream,
never returning. But she whispers
in my ear. So I cross the overpass
back down the highway back to her house
She dismounts, leans in kisses me
on the lips, her cheek touching mine
Fifty years ago it was
We never met again
I still feel her kiss
hard line of the scar

