Sketch of a poem ending with lines by Robert Duncan
by Stephen Collis
tuning
this stray moment
rainy day
locked round roots
flooding from moon and stars
continuous stream
chthonic
cemetery walk dreaming
animals
in and out of shadows
along the edge of wood
or down through valley
holes carved revealing cold constellations
arrows that are arias (areas) of light
shot through to the breathing blood
the music
run through to bone
in arteries / images
it contains in itself all the middles of things
and we drink from a fountain of fire
as there only is soil
because living things have died
anima
animals
inhabiting our arteries
I touch you shaking
fist of hair / animal smell
you open your
hand — a light there
heat / you say
it’s the first real idea anyone ever had
word / image
tool to dig with — what — I ask
harmony you say / biting my shoulder
you never sleep in the same self twice
and who says what communicates
through feedback of changes
in the alley light fixtures
smashed a
tattered Aeschylus falling out the open window
tissue within tissue
sum total of animals for the holocaust
bulls rams lambs and kids
are numbers
what about a white she–bear?
repeating itself in incessant circles which aren’t circles
the difference which is used as a new input
many of us camped along the shore
the water’s own pulses
yes / we are poets / but it’s not our fault
compost or
I sensed I must work not with my abilities
but with my inabilities — not with what I clearly thought
but with what I could not think clearly
Sketch of an unwritten poem on the life & times of the poet
by Stephen Collis
My first ever
poetry reading was
Al Purdy the
deep sea cave
of his voice
sunk and clogged
by the surf
I could barely
make him out
so many men
drowned there I
wonder how women
rose audible above
flotsam sea wrack
and ruin of
his submerged croak
//
And then I
see the process
my only consistency
my inconsistency to
live outside the
law you have
to be honest
abandon all plans
who enter here
this compost will
feed no fecund
future with its
sweet decay back
of the earth
shore line crumbling
dry sea caves
rising waters swamp
we see no
other earth no
plan at all
only scorched pages
walked away from
and the words
kill the brutes
now tell me
guys please who
are the brutes?
//
In the end
It’s only a poem
about planning to write
a poem
I get up
everyone is asleep
I read from Culley or
Wolsak or Eng
head out walking
my narrow line
to the sea
recursive feedback loop
consider what birds
there are touch foxtails
the word gloaming
when are we
in time and aesthetics?
Modernists come home
to roost in our
fearful asymmetry
put a record on
listen to the fine grained static
what bird is that?
small snub dollop in the brush
red–eyed vireo or marsh wren
unbearable sweetness of late July
taste the berries and note
only days until the first pie
Body Lies
by Conyer Clayton
Earth lives loud, with groaning
plates and thunder. It lies still with a simmering
temper. Deep breath, deep
breath, timely eruption, moving boundaries.
I speak faster —
I have authority. I rumble —
an intimidation. The waves
slap our skin.
*
That time we walked in the rain with a bottle of wine, but
how I got cold after an hour and missed the chance to
kiss you under a tree, is
the constancy of desire, repeated chiming
of clocks. Truth only in tongues.
A robin with a broken wing.
Dead bird on the sidewalk.
Glass — an unexpected warrant.
Death is a voice on the phone.
You didn’t say hi the same way, you took
such a strange breath.
Collector
by Conyer Clayton
It was my wedding anniversary but I forgot / trailed into a day that’s not / I glued the pieces of a broken necklace back together / I only wear jewelry I got before him, or
after / certain objects re–become and un–generate / dry
rocks crumble themselves on a bookshelf / sometimes the
pieces are worth keeping sometimes they fit back together perfectly and you don’t even get your fingers stuck together in the process / but more often
a rock reminds you of the ways you distort yourself / glacial
silt from Iceland / a smooth meditative
stone stripped from a gully on the coast of Scotland
a shell that was too fragile for a chain / It would’ve worn
through the middle
most of them
I can’t remember — but
symbols matter / The whole
world matters gravel reforms
seamlessly

